Broadcast-grade live streaming. When failure isn't an option.
Multi-camera broadcast production with redundant encoding, bonded uplinks and automatic failover on every stream. Built for events where the running order does not wait.
You are in the director's chair. Pick a camera, then press Take to put it on air. Keys 1 to 4 pick, T takes.
PROGRAMME OUT
- 12
- 2
- 3
- 1
What we deliver on every engagement.
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Multi-camera production up to 12 inputs, directed live from a dedicated control room
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Redundant encoding and a second and third uplink: fibre, bonded 5G and satellite, so a failure never reaches the audience
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Simultaneous delivery to YouTube, LinkedIn, Facebook, Twitch, Vimeo, or your own platform
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Per-attendee engagement report delivered within 48 hours of the event ending
Live streaming is not recording. One mistake and 10,000 people see it.
Recorded video is forgiving. An edit can hide a fluffed line, a duplicate take can replace a missed cue, a colour pass can rescue a bad lighting call. Live streaming gives you none of that. Whatever happens in the room goes to the audience as it happens, in front of the CEO, the board, the sponsors, the press, and the attendees who came to see it.
Most event agencies treat streaming as an afterthought. A laptop in the corner. A Facebook Live from a phone. A RTMP stream from a consumer camera. Then the feed drops at minute 47 and the explanation takes the rest of the week.
We treat streaming the way broadcasters treat live television. Redundant cameras. Redundant audio. Redundant encoding. Redundant uplinks. Redundant power. A director calling the show. A producer watching every element. If one thing fails, the audience never sees it.
YOUNGO at COP28. IRENA. The floor, not the ceiling.
YOUNGO at COP28
We produced the YOUNGO daily broadcast, in four languages across four channels, for two weeks. Read the case study.
IRENA
We ran the stand-up interview broadcast position at IRENA. Ministers were on air with a broadcast cut inside three minutes. Read the case study.
Shooting sport
We delivered live multi-camera broadcast across two shooting events, a four-day pilot and a three-day return, with live commentary and graphics from our own control room. Read the case study.
These are not references. They are the operating standard.
Redundant everything. No single point of failure.
- Every camera records ISO to local media and sends a clean feed to the control room. If the network drops, the recording continues. If the camera fails, a backup angle is already live.
- Primary and backup encoders running in parallel. Both send to the CDN. If the primary drops, the backup is already there. The audience sees a micro-stutter, not a broken stream.
- Fibre primary, bonded 5G secondary, satellite tertiary. Automatic failover between all three. Venues with no fibre still get broadcast-quality uplinks through bonded cellular and LEO satellite.
- UPS on every critical rack. Generator backup on events above 500 attendees. Control room can run on battery for 45 minutes if the venue power goes.
- A dedicated broadcast engineer watches every link end-to-end. If a number moves, they see it before the audience does.
Specification.
- Broadcast and cinema cameras on manned hero positions. PTZ robotics for fixed angles. Up to 12 camera positions on a standard build.
- Live director-managed switching with dedicated graphics operator, lower thirds, and branded transitions. Live colour grading on program feed.
- Broadcast-grade wireless with RF coordination. Redundant lavalier per talent for live broadcasts. Audio normalisation and loudness compliance for broadcast distribution.
- Dual-redundant hardware encoders. H.264 and H.265 output. Adaptive bitrate for audience-side resilience. Automatic failover between encoders.
- Simultaneous distribution to YouTube Live, LinkedIn Live, Facebook Live, Twitch, Vimeo, or a client-owned platform. Custom RTMP to any destination. Multi-CDN with automatic failover.
- Fibre primary. Bonded cellular secondary with carrier diversity. LEO satellite tertiary for remote and challenging venues.
- ISO record per source plus program mix, timestamped and retained. Broadcast masters in ProRes, H.264, H.265. Chain-of-custody documentation available for regulated events.
Conferences and summits
Conference live streaming in Dubai, and summit production across the GCC. Multi-stage coverage, speaker integration, session recording and audience analytics.
Learn moreHybrid event production
Hybrid event production in Dubai and across the UAE. One control room runs the room and the remote audience as one show: cameras cut for the stream, moderated Q&A, live polls and per-attendee data.
Learn moreCorporate webcasts and town halls
Produced webcasts for town halls, AGMs, earnings calls and board briefings across the GCC. Gated to your people through your own identity provider, with an engagement report afterwards.
Learn moreWhat buyers ask before they book.
What happens if the internet drops during the broadcast?
Nothing visible to the audience. We plan a second and a third path: fibre primary, bonded 5G secondary and satellite tertiary where the venue calls for it. Automatic failover between them means a drop on one link does not reach the stream.
Can you stream to our own platform instead of YouTube or LinkedIn?
Yes. We deliver a custom RTMP feed to any destination your team runs. Simultaneous delivery to multiple platforms is standard, so you can run a branded viewer on your own domain while also pushing to YouTube and LinkedIn for reach.
How do I know what actually happened during the event?
Within 48 hours you receive a full event report: viewer counts by platform, peak concurrent, watch-time distribution, geographic breakdown, engagement events (questions, polls, chat activity), and a per-attendee engagement score. Your sales team gets a ranked list of who to follow up with first.
Can you handle a multi-day event or are you one-day only?
Multi-day broadcasts are standard. We produced the YOUNGO daily broadcast, in four languages across four channels, for two weeks. We staff for the duration and rotate crew to maintain performance throughout.
What is the lead time for a live streaming event?
Standard is 2 to 4 weeks for a site survey, kit procurement, crew planning, and rehearsal. Shorter timelines are possible for urgent briefs but come with a quote adjustment for expedited sourcing.
Tell us the date, the venue and who is watching.
We scope every live stream against its run of show, not a package.