Corporate video production in Dubai, shot by a live broadcast crew.
Your film carries your name, your leaders and your brand. We are a video production company in Dubai whose crew runs live broadcasts, where there is no second take. Every shoot gets that discipline, from the brief to the final cut.
Cut it yourself: press a camera while the playhead runs, keys 1 to 3 work too. One shoot delivers the film and the clip.
Corporate video, from one film to a full series.
One crew for the film your board sees, the message your people hear, and the clips your audience shares. Each is scripted to a purpose and cut for the place it will run.
Brand films
Who you are and why it matters, in two or three minutes. Scripted with you, filmed with your people in your places, and cut to hold attention past the first ten seconds.
Event films and recaps
The conference, launch or awards night told in a few minutes: the moments that mattered, the speakers framed properly, and the room reacting.
Leadership and internal video
The CEO message, the results update, the change your people need to hear from the top. Your leader looks composed, and the message sounds like them.
Interview series
Executives, customers or experts on camera, one after another, in a consistent frame. A series your team can publish week after week without it looking stitched together.
Social cutdowns
Short, captioned cuts in vertical, square and wide, made from the same shoot. Ready for LinkedIn, Instagram and YouTube while the moment still matters.
Need it live instead?
Town halls and leadership broadcasts to every office, produced by the same crew.
Corporate webcastingPeople who work without a second take make better video.
- The same people who run live broadcasts. On a live job there is no second take. That habit comes to every corporate shoot: the plan is agreed in advance, and nothing on the day is a first attempt.
- Recorded clean, on its own track. On live jobs we record every camera separately, without graphics burned in. The edit can use any angle, and a moment nobody planned for is still there next quarter.
- Taken from the desk, with our own backup. Poor sound is the fastest way to make corporate video look cheap. A feed from the venue mixer and our own microphones on every speaker fix it at source.
- Fixed dates are the job. We work to show times that cannot move. A delivery date agreed at the brief is treated the same way.
One moment, four angles, all of it usable.
These are frames from four of our camera recordings, taken at the same second of an awards gala we broadcast live in December 2025. Each camera was recorded on its own track, so the editor can cut between all four long after the event. Read the case study.
Five steps, each signed off before the next.
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Brief
Who the film is for, where it will run, what they should think afterwards, and the date it has to be live. We come back with a scope and the assumptions behind it.
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Script
A script, a shot list and a schedule you sign off before anyone picks up a camera. For events, the plan is built against your run of show.
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Shoot
A crew sized to the job. Speakers are mic’d, the light is set for the lens, and every camera records on its own track.
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Edit
A first cut on the date we agreed, then a round of changes with your team. Captions, graphics and your brand go on at this stage.
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Delivery
The finished films in every format you need, plus the raw footage, delivered to your storage.
A delivery date you can plan around.
The date is agreed at the brief and written into the scope. It does not move because the edit got busy.
On event shoots, social cuts can go out the same day while people are still talking about it. The full film follows within days. Brand and leadership films run to the schedule we set together, with a first cut and a round of changes built in.
Cut for every screen it will play on.
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16:9
Web, YouTube, presentations and screens in the room
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9:16
Reels, TikTok, Stories and mobile-first feeds
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1:1
LinkedIn and feed posts that need to stop a scroll
Interviews and leadership pieces, without booking a room.
Our own studio: multi-camera, broadcast audio, controlled lighting. It suits interview series, executive messages and panels, where the look has to match from one episode to the next.
When the story belongs in your office, your site or your venue, we bring the same kit and the same crew to you.
Same-day edits under live conditions.
- Talks online the same day. We ran the live interview position at Future Tech Dubai and captured selected talks for same-day on-demand. Case study
- A broadcast cut inside three minutes. We ran the stand-up interview broadcast position at IRENA. Ministers were on air with a broadcast cut inside three minutes. Case study
- Stage to screen on one contract. We delivered a club opening ceremony and awards gala on one contract: stage, LED, lighting, sound and the live multi-camera broadcast. Case study
When the next event needs to go live.
A video production company that only films leaves at the end of the day. We are a live production company that also films. When the next conference needs to reach the offices that cannot travel, the crew that already knows your speakers and your run of show can put it live.
What teams ask before they commission a film.
How much does corporate video production cost in Dubai?
Every film is scoped, not picked from a package. The cost moves with the shoot days, the size of the crew, the locations, and how many cuts you need from it. Send us what the film is for and where it will run, and we come back with a proposal and the assumptions behind it.
How long does a corporate video take?
It depends on the film. A brand or leadership film usually takes a few weeks from brief to delivery, and most of that time is script sign-off and finding a date with the people on camera. For an event film, social cuts can go out the same day and the full edit follows within days. Either way, the delivery date is agreed at the brief, not after the shoot.
Where do you film?
We are based in Dubai and film across the UAE: offices, venues, factories, outdoor sites and our own studio. We also travel with a crew for work elsewhere in the GCC.
Can you produce in Arabic and English?
Yes. People on camera can speak in either language, and each film can be delivered with Arabic or English subtitles, or as a separate cut for each audience. We have produced a daily broadcast in four languages at once, so working in two is routine.
Who owns the footage, and where can we use it?
You own the finished films and the raw footage, delivered to your storage. Tell us at the brief where the film will run, whether web, social, internal screens or paid advertising, and we license the music for those uses. Anyone on camera signs a release where the use needs one.
Can you film our event and stream it live as well?
Yes. It is the same crew and the same cameras, so the live broadcast and the edited films come from one production rather than two suppliers working around each other.
Tell us who the film is for and when it has to be live.
We scope every corporate video against its purpose, not a package.
CBA broadcast production covers shows where one angle is not enough.