Encoding Equipment
Video encoders convert raw camera signals into compressed video streams suitable for delivery over IP networks. The encoder is often the most critical component determining whether your stream works or fails, the bridge between your production environment and your audience. CBA works across a range of professional hardware encoders including TVU Networks, LiveU, Haivision, Teradek, and Univisio, each chosen for specific use cases rather than brand loyalty.
What it means in live production.
Video encoders are the hardware (or software) that convert raw camera signals into compressed video streams suitable for delivery. The encoder is often the most critical component determining whether your stream works or fails because it's the bridge between production and audience.
For hardware encoding, Creative Broadcast Agency primarily uses Teradek Prism units. These are rack-mounted encoders that accept SDI camera feeds and output multiple bitrate streams simultaneously over IP networks. The Prism advantages are processing power, reliability (they're designed for broadcast, not just streaming), and the ability to create multiple quality tiers without degrading your primary output. A single Prism can ingest four 1080p60 feeds and output six different bitrate variants, all in real time.
LiveU units handle a different problem: remote location encoding where you need to send video from a field location back to the main control room over whatever internet connectivity exists. During corporate streaming work with remote speakers in different emirates or from home offices, LiveU provides reliable ingest with built-in bandwidth optimization. If someone's home WiFi is unstable, LiveU adapts encoding automatically. this is different from the client-side adaptation of adaptive bitrate streaming.
For corporate events and webinars, we often use software encoders like vMix or OBS running on powerful PC hardware. The trade-off is clear: software encoders are cheaper and more flexible (you can adjust settings mid-stream), but they're sensitive to CPU overload. If you're running graphics, mixing, and encoding on the same PC and someone launches a large file transfer, encoding quality will suffer.
The encoder also determines latency. Hardware encoders like Teradek Prism introduce 1-2 frames of latency. Software encoders can be faster (under 1 frame/) but are less stable under load. For low-latency streaming using SRT, the encoder must support the protocol. standard RTMP encoders won't work.
Encoder selection also determines which streaming protocols you can use. Prism supports RTMP, RTMPS, SRT, and HLS output. Not every encoder supports every protocol, so knowing your delivery requirements before choosing encoding hardware is critical.
Questions we get from buyers before they book
How many bitrates can one encoder handle?
A Teradek Prism can create six simultaneous bitrate outputs from a single feed without significant CPU overhead. vMix on a high-end PC can do 4-6 but with more CPU risk. For multi-feed events, you need either multiple encoders or careful load management. We plan encoder architecture during the site survey.
What's the difference between hardware and software encoding?
Hardware encoders are specialized devices optimized for reliability and processing power. Software encoders run on general-purpose computers, offering flexibility but less stability under load. For events expecting 10,000+ simultaneous viewers, we prefer hardware. For internal corporate streams, software often suffices.
Can we switch encoders during a live stream?
No, changing primary encoders requires disconnecting the old stream and connecting the new one. causing visible interruption. This is why backup encoder redundancy is built into system design, not improvised during the event. Switching to backup happens automatically with proper failover configuration.
Does the encoder affect final video quality?
Significantly. An encoder set to fixed quality mode (CRF or quality-based VBR) produces different results than one in fixed bitrate mode, even at the same target bitrate. The encoder's motion detection, scene-change adaptation, and codec optimization algorithms matter. Higher-end encoders produce better quality at the same bitrate.
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