Creative Broadcast Agency

GlossaryTechnical reference

Video Production & Editing

Video production encompasses shooting, recording, and capturing content.

Where we use this
Where it sits
After capture: from the recorded programme and camera files to finished edits.
Why it matters
The recording outlives the live stream. It is where most of the audience watches.
Watch for
Recording only the programme, then finding the shot you need was never kept.
Definition

What it means in live production.

Video production encompasses shooting, recording, and capturing content. Video editing encompasses organizing, trimming, and post-processing that content. Both are essential for event coverage. the live broadcast is the primary deliverable, but recorded content becomes repurposing asset for social media, website, marketing, and archival.

During live events, production focuses on real-time capture. Cameras record to local storage (memory cards, SSD arrays), the vision mixer switches between feeds, graphics are inserted, and the final mix is simultaneously streamed live and recorded for archival. This happens in real time with no room for error.

In practice

How it works on a live production.

Post-event, editing teams work with the recorded content. They trim videos to highlight moments (a product reveal at a launch event, a clutch play in esports). They cut B-roll sequences (atmosphere, crowd reactions, product details) for use in promotional videos. They correct color and audio issues that didn't matter in the live broadcast but are jarring in edited content.

For corporate streaming events, we often create multiple edited versions: a full-length archive, a 3-5 minute highlight reel for social media, and sometimes topic-specific clips. A product launch might spawn separate videos about the product, customer testimonials, and behind-the-scenes footage.

Equipment choices matter for post-production. We record live broadcasts in multiple formats: the delivery bitrate for archival (smaller, faster to work with, suitable for social media), high-quality archival formats (larger, better for professional use), and separate audio stems for remixing. Recording decisions during the live event affect editing efficiency weeks later.

Color grading. adjusting color and contrast after recording. can fix issues or create aesthetic style. A camera that captured overly blue tones during morning sun might need warming in post. Multiple cameras with slightly different color responses need grading to match visually. Professional productions invest time in color consistency during editing.

Archiving recorded content is often overlooked until it's needed. Client requests "can you find footage of the CEO's remarks from that June event" eighteen months later, but if content wasn't properly stored and catalogued, retrieval is difficult. We implement archival strategies during production planning. metadata tagging, organized storage, regular backup verification.

FAQ

Questions people ask about this.

Should we record the live stream or the raw production feeds?

How long does editing a typical corporate event take?

Can we edit video immediately after the event or do we need to wait?

What formats should we archive video in?

Tell us the date, the venue and who is watching.

We scope every live production against its run of show, not a package.

Scope your event